James Campbell has been called “Canada’s pre-eminent clarinetist and wind soloist” by the Toronto Star. He has performed as soloist and chamber musician in over 35 countries with more than 65 orchestras including the Boston Pops, the Montreal Symphony and the London Symphony. He has collaborated with Glenn Gould and Aaron Copland and toured with over 35 string quartets, including the Guarneri, Amadeus (when he replaced an ailing Benny Goodman on a tour of California) and Vermeer. The BBC and The Times of London rated his recording of the Brahms Clarinet Quintet as the best available and his CD “Stolen Gems”(Marquis Records) won a Juno. He has been named Canada’s Artist of the Year and awarded the Queen’s Gold and Diamond Jubilee Medal, an Honorary Doctor of Laws, and the Order of Canada. James Campbell has been Artistic Director of the Festival of the Sound since 1985.
Beyond his technical mastery and musical abilities, pianist Philip Chiu has become one of Canada’s leading musicians through his infectious love of music and his passion for communication and collaboration. Lauded for the brilliance, colour and sensitivity of his playing, he is particularly noted for his ability to connect with audiences on and offstage, Philip is one of Canada’s most sought-after chamber musicians. He has appeared in recitals with leading musicians of the world stage. Dedicated to elevating the standard and art of collaborative piano, Philip is the creator and director of the new Collaborative Piano Program at the Domaine Forget International Festival and Academy. Philip was the inaugural recipient of the Prix Goyer (2015) one of Canada’s largest classical music prizes, in recognition of his artistic achievements and contribution to Canadian classical music.
Pianist Jeanie Chung enjoys an active and varied performing career. She has given solo recitals, concerto performances and chamber music concerts throughout North America, Central America, Europe, Asia, and Africa.
Recent and long term collaborations include projects with Barry Shiffman, Andres Diaz, Colin Carr, Rachel Mercer, Ian Swensen, Yehonatan Berick, Susan Hoeppner, Frank Morelli, Shalom Bard, YaoGuang Zhai, William Vermeulen, Michael Sachs, Alexander Dobson; Laurence Lemieux, Margie Gillis and Ted Robinson.
Following her studies at The Glenn Gould School and The Taylor Academy for Young Artists at the Royal Conservatory of Music in Toronto, she attended the Juilliard School where she obtained Bachelor of Music, Masters of Music, and Doctor of Musical Arts degrees. Her principal teachers have been Boris Lysenko, Leon Fleisher, John Perry and Herbert Stessin.
Ms. Chung was the recipient of the Career Development Award from the Women’s Musical Club of Toronto and numerous grants from the Canada Council and Chalmers Fund.
She is a faculty member of the Royal Conservatory of Music’s Taylor Academy for Young Artists.
The Clarion Quartet binds artistic virtuosity with humanitarian purpose in presenting great works that are gradually entering the standard repertoire. The Clarion mission embraces three principles: offering performances for all audiences to hear and appreciate this music; providing educational presentations and master classes for emerging artists in conservatories; and advocating among professional musicians for suppressed works to be included in the canon of chamber music performed today.
The members of the Clarion Quartet, colleagues in the Pittsburgh Symphony Orchestra, have joined together to share their passion for chamber music and their particular interest in exploring Entartete Musik, works that were termed “degenerate” by the Nazis and banned during the years leading up to the Holocaust through the immediate aftermath of the World War II. The highlight of the Quartet’s 2016 debut season was a unique performance during an international tour with the Pittsburgh Symphony. The Clarion Quartet traveled to the former Teresienstadt (Terezín) concentration camp in the present day Czech Republic, and they performed a program on this site to honor those composers whose creativity was stifled, who suffered abuses ranging from exile to execution. The Quartet seeks to immortalize the victims and their art through empathetic performances of relevant mid-twentieth century masterpieces.
With thanks to an Entrepreneur Grant from the Curtis Institute of Music and a grant from the Fine Foundation, the ensemble is turning its sights to the future with plans for many more performances and an ever-expanding repertoire.
Through a yearning to bring justice to creative voices that have been silenced, the Clarion Quartet is dedicated to providing renewal, hope, and healing through its music and work
Drummer Terry Clarke was born on August 20, 1944 in Vancouver. He was just twelve years old when he began studying formally with noted drum teacher and author, Jim Blackley, who remain a primary figure in Clarke’s continuing development as a musician. Clarke began building his reputation for versatility by joining the world-famous pop vocal group, The Fifth Dimension at the height of their popularity, travelling and performing extensively with them throughout the U.S.A., Canada and Europe. Clarke left The Fifth Dimension in 1970, subsequently re-locating to Toronto where, for the next 15 years, he played an abundance of jazz in all styles, and established himself as a major figure in Toronto’s studio scene. In 1985 Clarke moved to New York City to pursue an exclusively jazz-oriented career and in 1999 he returned to Toronto. He is an enthusiastic jazz educator, and for the past several years has been a member of the Faculty of Music at the University of Toronto.
The 2018-2019 season marks Canadian violinist Jonathan Crow’s eighth season as Concertmaster of the Toronto Symphony Orchestra. A native of Prince George, British Columbia, Jonathan earned his Bachelor of Music in Honours Performance from McGill University in 1998, at which time he joined the Montreal Symphony Orchestra as Associate Principal Second Violin. Between 2002 and 2006 Jonathan was the Concertmaster of the Montreal Symphony Orchestra; during this time he was the youngest concertmaster of any major North American orchestra. Jonathan continues to perform as guest concertmaster with orchestras around the world, including the National Arts Centre Orchestra, Pittsburgh Symphony, Mahler Chamber Orchestra, Filarmonia de Lanaudiere and Pernambuco Festival Orchestra (Brazil). Jonathan has also performed as a soloist with most major Canadian orchestras including the Montreal, Toronto and Vancouver Symphony Orchestras, the National Arts Centre and Calgary Philharmonic Orchestras, the Victoria, Nova Scotia and Kingston Symphonies, and Orchestra London, under the baton of such conductors as Charles Dutoit, Sir Yehudi Menuhin, Sir Andrew Davis, Peter Oundjian, Kent Nagano, Mario Bernardi and João Carlos Martins.
An ardent singer since childhood, Alexander’s solo début was at twelve years old, as a treble soloist in the Canadian premiere of Lloyd Webber’s Requiem under conductor Elmer Iseler.
Alexander graduated from the University of Toronto Opera Division and the Faculty of Music at the University of Western Ontario with Honours. He is also an alumnus of the Music Theatre Program at the Banff Centre, Music Academy of the West in Santa Barbara, the Steans Institute for Young Artists at Ravinia, and L’Atelier Lyrique de L’Opera de Montreal. Alexander is the recipient of numerous awards and prizes including those from the International Voice Competition of Paris (including the Edward Marshall Association Award for Outstanding Baritone), the Jeunesses Musicales National Competition, the Marilyn Horne Competition (Music Academy of the West), and the Jacqueline Desmarais Competition.
The Elmer Iseler Singers (EIS), conducted by artistic director Lydia Adams, enters its 39th Anniversary Season in 2017/18. This 20-voice fully-professional choral ensemble, founded by the late Dr. Elmer Iseler in 1979, has built an enviable reputation throughout Canada, the United States and internationally through concerts, broadcasts and recordings — performing repertoire that spans 500 years, with a focus on Canadian composers.
EIS present a five-concert series in Toronto each season, and are featured at concerts, workshops, and festivals throughout Canada. Touring is also a major component of EIS activities, with two multi-city tours in the 2016/2017 season – one to Western Canada and one to Atlantic Canada.
Annually, EIS sponsors choral workshops through their GET MUSIC! Educational Outreach Initiative for secondary school conductors and choirs, concluding with a joint public performance.
In addition to her work with EIS, Lydia Adams is conductor and artistic director of the Amadeus Choir. In September 2016 the women from both EIS and Amadeus Choir, along with the Toronto Children’s Chorus, joined with the TSO to perform Mahler’s Symphony No. 3. Then in February 2017, EIS and Amadeus Choir joined with the TSO (Stéphane Denève, conductor) for the Fauré Requiem.
The Elmer Iseler Singers are a 2014 National Choral Award recipient and a 2017 Juno Nominee in the “Classical Album of the Year: Vocal or Choral Performance” category.
Inga Filippova Williams (soprano) is an award-winning and internationally known Opera Singer. Some roles include Cio Cio San in Madama Butterfly with Voice Afire Pocket Opera; Nedda in Pagliacci with Opera Lyra; and Fiordiligi in Cosi fan tutte. Inga was a finalist in such prestigious competitions as Louis Quilico Voice Competition 2008; Julian Gayarre International Singing Competition in Pamplona, Spain; Laureate of Jeunes Ambassadeurs Lyriques Voice Competitions 2008, 2011, 2013; Czech and Slovak Voice Competition 2009; Pavarotti International Voice Competition in Modena, Italy; Riccardo Zandonai Opera Competition in Riva del Garda, Italy.
Hailed by critics “Very musical and an intelligent singer, vocally secure and expressive’’, Ukrainian Soprano Inga Filippova Williams already started her vibrant music career Engagements for 2011 include Cio Cio San in Madama Butterfly with Voice Afire Pocket Opera; First Lady in Die Zauberflöte, Nedda in Pagliacci with Opera Lyra , Vanessa in Vanessa with SOLT Messiah – Soprano with OntarioPhilharmonic Orchestra conducted by Marco Parisotto Florida Concert Tour 2012, Germany Audition Tour 2012 The winner of Prix Lyrique Allemand Bourse Sebyllas Hesse Annee 2011 from Jeunes Ambassadeurs LyriquesInga Filippova has proven herself to be an exceptional talented opera singerwhere ”Her beautiful and flexible full lyric voice, even from top to bottom, istailor made for this most exacting of Mozart heroines, with excellent florituraand huge high Cs” in Cosi Fan Tutte – Fiordiligi, Le Nozzie di Figaro”-Coutessa conducted by Mario Bernardi , Die Zauberflöte- First Ladyconducted by Tyrone Paterson, Beethoven Ninth Symphony conducted byPeter Oundjian, Gabriel Faure Requiem conducted by Woloschuk William.Mrs. Filippova as a laureate of Jeunes Ambassadeure Lyriques 2011 was representing Canada on the 7 Klaudia Taev International Voice Competitionin Estonia, 2011Finalist of many local and International competitions like: Riccardo Zandonai , Italy 2016 . Louis Quilico Voice Competition 2008, Laureate of Jeunes Ambassadeurs Lyriques Voice Competitions 2008, 2011, 2013. National Association Teacher of Singing competition where she received a Scholarship and Award as “The Most Promising Young Artist…” in 2008 she was a Finalist and prizewinner at the 12 Julian Gayarre International SingingCompetition in Pamplona, Spain. Finalist of Czech and Slovak Voice Competition 2009, Ben Steinberg Musical Legacy Award 2009 .First place at Ukraine: Musical Tribute Competition As well she participated in the Pavarotti International Voice Competition in Modena, Italy . Mrs. Filippova Williams graduated from the Artist Diploma Program at the Glenn GouldSchool, Toronto .
“A string and brass band playing really old dance-music from New Orleans”
Formed in New Orleans as a collective of several street performing groups, Frog & Henry perform and record old dance and jazz music from the early 1900’s on brass and string instruments, with several singers and vocal harmony. Most of our repertoire was obtained by digging up forgotten songs from the dawn of recorded music, in the form of early dance tunes, and from even earlier 19thc sheet music.
We’ve borrowed the phrase ‘string and brass band’ from the descriptions of the earliest dance and jazz bands. And in that tradition we feature violin and mandolin-banjo as melody instruments along with clarinet and baritone saxophone. We’ve also designed a foot-operated tuba that allows one person to play tuba and six-string banjo simultaneously. Our typical 5 members can be increased to 8 or 10 if requested.
2018’s concert series in W.Europe represents the result of active playing, traveling, and research over the past ten years – of living, partying, and performing in New Orleans – and finally arriving at an ensemble sound that comes as close as we’ve ever been able to achieve to that of the earliest New Orleans jazz and dance bands.